bisht_pleaseeeFieldmapping “Data Feminism”By Nikita Bisht, Samanta Kolanga, Sumaya Farah5d ago15d ago1
bisht_pleaseeeThe Game of Survival“Everyone is going to remember this time. “We’re all going to have very sharp memories of this time.” The question is, will we be proud of…Oct 18, 2021Oct 18, 2021
bisht_pleaseeeEmbedded Journalism: A case study of Danish SiddiquiDefine the rules of war, the most inhuman trade. Albeit war is the worst tragedy known to mankind but still we strive to seek the…Aug 2, 20211Aug 2, 20211
bisht_pleaseeeThe New Wave Muslim Social different from the Classic Muslim Social in Bollywood!The Muslim Social genre refers to the social construction of Muslims during this genre reflected stereotypes of Muslims in terms of…Oct 24, 2020Oct 24, 2020
bisht_pleaseeeThe figure of the NRI to construct a discourse of Indianness and to negotiate the conflict between…In mainstream Bollywood cinema, non-resident Indians (NRIs) had mostly been depicted as caricatures or villains — people who had lost…Oct 24, 20201Oct 24, 20201
bisht_pleaseeeLACK OF REPRESENTATION OF ASEXUALITY IN HINDI CINEMANikita Bisht & Samiksha KhannaOct 17, 2020Oct 17, 2020
bisht_pleaseeeThe figure of the outsider deployed in the films of the 1950s!An outsider is a person who’s always in a state of transition. He always tries to fit in and always has a sense of sacredness from being…Oct 17, 20201Oct 17, 20201
bisht_pleaseeeMedia In Democracy“If it were left on me to decide whether we should have a government without newspapers or newspapers without a government, I should not…Oct 12, 2019Oct 12, 2019
bisht_pleaseeeINSTALLATION AND UNINSTALLATION {BOKO HARAM}Living in an era where people for the forceful establishment of their religion are going against the deeds of their own holy book and…Oct 12, 2019Oct 12, 2019
